Watch ‘Changing Tides’ by Kathryn Georghiou
Based on a true story, Changing Tides by Kathryn Georghiou is a film is about end-of-life alcoholism and finding hope in unexpected places.
The female character, Bea, is a young, cocky domestic carer who has better things to be doing with her time.
Adien is bloated and yellowing, looking older than his age because he’s been lost at the end of a bottle for many years.
First they fight. Control is power.
But when the realities of alcoholism force Bea to be the care giver, Adien is forced to accept. This shifts their roles and instead of spoiling for war, they gradually bond over chips and sarcasm, and fall into parent and child roles.
Aiden vows to change, but it’s not that easy when you’ve been living drink to drink for so long. Stopping altogether in an uncontrolled environment can only make things worse. And it does.
First the psychosis. Then the fatal discovery when Bea arrives the next day.
Aiden is finally free from his self-imposed prison. Bea is on a rollercoaster of emotions.
Finally sinking in and leaving his house for the last time, she sees the tiny shreds of hope.
He’s at peace. And she’s glad she knew him.
Why did I write Changing Tides?
By Kathryn Georghiou
I wrote Changing Tides because it’s a part of my life I’ve kept quiet for so many years, through shame and embarrassment.
Recently, I had an overwhelming impulse to address it. To finally try and understand it and not be afraid to tell people that’s what I lived through.
My dad was an alcoholic.
When I was 11, he had a heart attack. It turns out it was his third, the other two being undetected.
The hospital did further checks and told him he needed a triple by-pass, which he had. The next part is factually a bit sketchy because dad told us his version of the story, but as with all alcoholics, we can never be sure if that’s the actual truth. Whatever happened, he went from working as a taxi operator and potato delivery man to not working at all.
In a way, I think he was happy not to work. Being verbally abused in taxi ranks and lugging hauls of potatoes to chippies around Blackpool aren’t exactly lifelong ambitions. But removing work and having nothing else leaves a hole. You lose your sense of purpose.
As the years passed, dad fell deeper and deeper into drink.
It killed him at the young age of 58.
He changed from a doting, loving father to a man I didn’t know. And now, after all this time, I wanted to know why.
Choosing alcohol over me
I don’t hate my dad. But I didn’t understand him. I didn’t understand why he would always choose alcohol over me. How he could be loving and hilarious one minute and incredibly mean the next? How he could go from a hard-working gentleman to someone who looked homeless with a roof over his head? Why he wasted his talented and brilliant life? And was it all my fault?
He died 16 years ago, so I can’t ask him these questions. He wouldn’t have been sober enough to answer them anyway. I needed to find another way.
When my emotions are high, I write a poetry. It’s funny but I find verse a great way to attempt to make sense of things. When I feel overwhelmed the words fall out of me and onto the page. Then I somehow muster up the courage to perform it at open mic nights and that’s normally that, but this one stayed with me. I couldn’t stop thinking about it. So, I decided to write a script.
Writing a script means you delve deeper into character analysis; why do they act the way they do and what do they desire and fear? I removed myself from the story and made the female character in her early 20s, so I could look at it objectively and better understand his choices, and ultimately mine. Did my actions provoke it? Or was there something else driving him to act this way? It was the therapy I didn’t know I needed.
It wasn’t my fault
I could finally see my dad as a human. An imperfect human, just like me. Instead of wearing childlike glasses and still thinking parents should be some kind of superhero, I could see him as a flawed, troubled man with demons he couldn’t control.
I could also see it wasn’t my fault. It never had been. As a child I took it personally because I didn’t know better. I wanted his love and attention and when I didn’t get that I thought I’d caused it. Now, as an adult with my own flaws and demons, I understand. He loved me in his own troubled way.
Finding out there’s an estimated 2.6 million children in the UK living with an alcoholic parent was shocking. As a child of an alcoholic you feel so alone, yet there are a staggering number of children in the same position. Just imagine how many there are around the world. If they don’t talk about it and find a way to remove the stigma and shame, those children grow into adults like me, with millions of questions and unresolved trauma.
My film is for those adults, young and old. And it’s for the alcoholics too. There’s no finger pointing or blame in my story, just troubled souls trying to understand themselves and the world they live in.
If I can make just one of those adults feel seen by watching this film, I’ll be happy.
Changing Tides will have a limited cinema release and before an exclusive run at film festivals for approximately one year. After that it will be made available on streaming platforms.
Attend the premiere of ‘Changing Tides’
The cinema screenings are part of a four film ‘ Made in Blackpool’ event, an evening celebrating four short films made in Blackpool by House of Tales and Out of the Ark Productions.
Screening details:
- Saturday 21 September – 19.30 screening (doors at 19.00) at The Regent Cinema, Blackpool – the *premiere* screening of Changing Tides
- Sunday 8 October – 12.00 at Cultplex, Manchester
- Thursday 19 October, 20.00 at ArtHouse Cinema, London
General release tickets go on sale on 1st September. Full details can be found here.
Free tickets for Nacoa members
As a Nacoa member and volunteer, I would like to offer Nacoa members 5 free tickets (plus one guest) to each screening. To claim to this offer please contact Nacoa directly.
Terms and conditions
Tickets for the Blackpool screening must claimed no later than 17 September 2023. Manchester screening must be claimed no later than 1 October 2023. The London screening must be claimed no later than 12 October 2023.
All tickets will be allocated on first come first served basis. Tickets are non-refundable and non-transferable.
If you can no longer make the screening you have tickets for, please let Nacoa know at least 48 hours before the screening so we can offer your ticket to someone else or release your seats to the public.
By accepting tickets, you agree to being photographed and filmed as part of the audience for promotional purposes.
To keep up with news and events for ‘Changing Tides’, check out This House of Tales.
